ClassicToulouse, April 2025 for a concert with the Orchestre du Capitole conducted by Ton Koopman
« The angelic voices of the Maîtrise de Toulouse join the orchestra's string section and the organ... The entire performance is imbued with the most fervent emotion... The ovation that erupts after the final Amen keeps bringing the architects of this success back on stage... Special acclaim is rightly given to the young singers of the Maîtrise and their conductor Mark Opstad, whose importance and the quality of his work cannot be overstated. »
La Croix du Midi, April 2025 for a concert at the Perpignan Sacred Music Festival
« The Cathedral of Saint Jean-Baptiste in Perpignan resonated with the voices of the Maîtrise de Toulouse, conducted by maestro Mark Opstad... The 55 singers, both children and adults, joined their voices to create a musical flow of rare intensity. The young, crystal-clear voices transported the audience. Mark Opstad successfully conveyed his passion and expertise to his choristers, who delivered a masterful performance. »
La Matinale, France Musique, April 2025 for the album Folksongs – Tour du Monde
« Beautiful contrasts, a wonderful initiative, and beautiful harmony... a wonderful journey. »
Mediapart, March 2025 for the album Folksongs – Tour du Monde
« A far cry from saccharine projects, this album is a marvel. »
Première Loge, February 2025 for the album Folksongs – Tour du Monde
« The Maîtrise de Toulouse... achieves a sumptuous quality of interpretation here... one senses a genuine joy in singing among all the choristers... This is a tremendous achievement in seventeen languages. It is clear that Mark Opstad's attentive, fluid, and poetic conducting has played a major role in this success. »
La Clef Resmusica
Resmusica (France), June 2023 for the album Martin – Duruflé
« Listening to Frank Martin's Mass reveals meticulous work that results in an intimate interpretation that is very pleasant to listen to. Mark Opstad, familiar with English choirs renowned for their perfection, manages to recreate the same undertone in the depth of the sound and the discourse. The same is true of Duruflé's Requiem, remarkably carried by the accents of the organ in various sensitive and contrasting climates. The vocal soloists are most accomplished in their respective parts, forming a homogeneous and highly musical ensemble. It is a very fine calling card for the Toulouse choir and its very talented conductor. »
Classic Toulouse, March 2023 for the Maîtrise concert and Maîtrise with the Orchestra of the Capitole, Toulouse Halle aux Grains
« Once again the Maîtrise de Toulouse proved the range of repertoire it is capable of interpreting with the same impressive perfection. Under the direction of its founder Mark Opstad, the choir presented an exceptional concert… in the company of the Orchestre du Capitole… A diverse programme was presented to a large and dazzled audience…. An ovation followed this prodigious performance which reinforced the highly justified reputation of this Maîtrise. »
Resmusica, April 2019 for the ‘Requiem’ concert with Les Sacqueboutiers, Toulouse Musée des Augustins
« The Maîtrise’s performance under the attentive and dynamic direction of Mark Opstad can only be praised »
Resmusica, December 2016, for a concert with Les Sacqueboutiers de Toulouse as part of the Arts Renaissants season.
« The remarkable musical quality of this Toulouse choir is in no way inferior to that of their English counterparts... These young choristers are absorbed in the music. They are happy to sing. That can be seen on their faces. And it can clearly be heard. »
Classiquenews.com, December 2016, for a concert with Les Sacqueboutiers de Toulouse as part of the Arts Renaissants season.
« It must be colossal work, as well as patience and determination to attain this perfection. »
Cinq diapasons - Diapason Magazine (France), December 2015 for the album ‘Noël français’
« The revelation of the Maîtrise world these last years. »
Diapason Découverte - Diapason magazine (France), May 2015 for the album ‘Polyphonies oubliées’
« The Ensemble Gilles Binchois and the stunning Maîtrise de Toulouse bring to this music a style of simple and generous devotion… »
Quatre étoiles - Classica magazine (France), March 2015 for the album ‘Polyphonies oubliées’
« The remarkable work on the diction of the polyphonic plainchant by the singers, both flexible and clear, always following the rhythm of the sung text, makes this disc a beautiful success. »
La Dépêche du Midi, October 2012, for a concert at the Gabriel Fauré Festival.
« One can leave a mark on a town in different ways. A political event, or economic or personal. Friday evening, it was a cultural event that left a profound mark on Pamiers: the performance of Fauré’s Requiem by the Maîtrise de Toulouse.
Friday evening, under the direction of Mark Opstad, the Maîtrise of the Toulouse Conservatoire signed a masterpiece.
Friday evening, if Gabriel Fauré, eternally alive, received some echos of this concert, he will certainly have been able to continue to rest in peace, in the gentleness of his Requiem. »
Cinq Diapasons - Diapason Magazine (France), September 2011 for the album ‘Missa Brevis’
« Can a French Conservatoire Maîtrise compete with the English collegiate and cathedral choirs in the music of Fauré and Britten? The proof that yes, with this first disc of the Maîtrise created in 2006 at the Toulouse Conservatoire by Englishman Mark Opstad…
…there is a beautiful balance between a search for a typically English lightness and finesse in the high range and a fruity roundness of timbres which comes from elsewhere. These qualities, added to others (stability of vocal emission, animated and structured singing with a coherent pallet of dynamics, musicality) enchant us …
…Decidedly at ease in the British repertoire, the toulousains give a very beautiful version of the Britten Missa Brevis, quite flamboyant and virtuosic…
…This conductor and this choir should be followed, as they show that the renaissance of French maîtrises initiated a quarter of a century ago in France has not had its last word. »
In France
Musicweb International, February 2025 for the album Folksongs – Tour du Monde
« ...shows just how brilliantly virtuosic and warmly lyrical the choir can be. »
9/10 for interpretation
Crescendo Magazine (Belgique), April 2023 for the album « Martin-Duruflé »
« The listener is quickly enchanted by the clarity of the Maîtrise de Toulouse’s singing, the freshness of its voices…. A double success to add to the discography of the Maîtrise de Toulouse. »
Cinq étoiles - Choir and Organ Magazine (Grande Bretagne), May 2023 for the album « Martin-Duruflé »
« Attention to detail is exemplary, tuning immaculate, and their fresh, youthful sound is immensely appealing »
MusicWeb International, March 2020 for the CD ‘Requiem’
« This is surely one of the most original-sounding versions of this music on any commercial recording. »
BBC R3 Record Review 21 March 2020, for the CD ‘Requiem’
« A really characterful sound... Beautifully blended »
Journal of the American Choral Directors Association, August 2019, for the CD ‘Slava!’
« Once again, La MaiÌ‚trise de Toulouse and Mark Opstad have demonstrated their superb musicianship and precision and, as before, proven that almost no repertoire is beyond their reach. »
American Record Guide (USA), March 2018, for the CD ‘Slava!’
« I’d be happy to recommend this just for the rarity of some of the repertoire, but this choir is wonderful and deserves the accolades showered on it… they display a freshness and rhythmic alacrity that is uncommon. They have been well coached in their diction as well. Opstad is a gem among choral conductors and inspires his young forces to give performances that many of their adult peers would do well to emulate. »
Five Stars - Choir and Organ Magazine (UK), March 2018, for the CD ‘Slava!’
« These young voices bring a delightful freshness to this demanding repertoire. »
Organists’ Review (UK), March 2018, for the CD ‘Slava!’
« Mark Opstad is to be most warmly congratulated on achieving such very high standards of performance with his young voices. Not once did they sound under pressure – immaculate tuning and ensemble, all taken as a norm. A thoroughly engaging and uplifting recording in every way. If I could give this six stars, I would! »
‘The week’s essential new releases’
Sunday Times (UK), 13 December 2015, for the CD ‘Noël français’
« This choir school, created in 2006, gives an irresistible Gallic Christmas programme…. With beautifully blended and precisely pitched singing, the group excels in Poulenc’s Four Christmas Motets… »
Four stars - BBC Music Magazine (UK), December 2015 for the CD ‘Noël français’
« The results are highly impressive in this delectable programme of French Christmas music… An utter pleasure »
Four stars - BBC Music Magazine (UK), September 2014 for the CD ‘Motets français’
« A wide-ranging programme, sung with gleaming freshness of tone and intonation. »
Gramophone Magazine (UK), September 2014 for the CD ‘Motets français’
« …the disc feels as if it has been crafted with infinite care and love, and for that reason alone it is a joy to listen to. »
Organist’s Review (UK), September 2014 for the CD ‘Motets français’
« From the outset we realise that we are in the hands of fearless and confident young musicians who live and love every note. Totally unfazed by difficult complex writing … they give it their all. It’s a delight, and a very pleasant surprise, to hear them with their stylish approach…
… let us not forget Mark Opstad, without whose vision and expertise none of this would be possible. Congratulations to all concerned… I cannot recommend this thrilling CD strongly enough! »
American Record Guide (USA), July 2014 for the CD ‘Motets français’
« As French choral musicians, the youngsters are heirs to a proud tradition, which they recount with propriety, understanding and flare.
…the music is delivered with clarity, verve and exemplary control »
Choir and Organ (UK), July 2014 for the CD ‘Motets français’
« Every track is a delight »
International Record Review (UK), May 2014 for the CD ‘Motets français’
« To judge from the rock-solid intonation, crispness of articulation, scrupulous attention de balance, confident solo work, and much else besides, Mark Opstad knows a thing or two about choral conducting…
All in all, then, this is a highly successful follow-up to the previous release, and it is crowned by a brilliant performance of Poulenc’s Litany to the Black Virgin of Rocamadour… I am tempted to say the disc is worth airing for this track alone, but actually it is worth acquiring for everything it contains. »
Sydney Organ journal (Australia), Spring 2014 for the CD ‘Motets français’
« Singing throughout the CD is crisp, clean and is perfectly balanced with the accompanying instruments…. I thoroughly enjoyed the musical journey presented on the CD. »
Amercian Record Guide (USA), July / August 2012 for the CD ‘Missa Brevis’
And ‘Critic’s Choice’ for 2012 (American Record Guide (USA), January 2013)
« … a French “Maîtrise” (choir school) ensemble that’s as good as just about any of the finest English cathedral choirs, singing a choice assortment of English and French Missa Brevis settings to absolute, ravishing treble perfection.
… There’s probably nothing this choir couldn’t sing, and spectacularly well. They deliver clean, crisp singing, with perfect intonation and balance. They achieve standards of phrasing, dynamics and interpretive intensity that many fine adult ensembles would kill for. »
Four star review - Choir and Organ magazine (UK), March 2011 for the CD ‘Missa Brevis’
« …these choristers make light work of this fascinating programme…
…Caplet’s three-voiced Mass for unaccompanied voices is impressive, both as a composition and for the performance Opstad elicits from his youthful performers. »
Gramophone Magazine (UK), March 2011 for the CD ‘Missa Brevis’
« The mixed-gender group of 21 singers recorded here is blessed with a fresh, clear, unaffected tone, blending effortlessly, especially in Caplet’s unaccompanied three voice Mass, with its soaring, arched phrases, which float beautifully in the spacious acoustics of Toulouse’s neo-GothicTemple du Salin…
…As part of a recent resurgence of interest in youth choral singing across France, this timely disc serves as an important and worthwhile stepping stone. »
Heraldo de Aràgon (Espagne), octobre 2010 for a concert in Saragosse (Spain)
« Following their visit to Tauste, where the choir gave the closing concert of the Cincos Villas music festival, the Maîtrise de Toulouse gave a concert at the church of San Felipe, Saragosse. The twenty one choristers, aged betwwen eleven and fifteen, make up a choir whose technical quality and sensibility are extraordinary…
This is a vocal group of the most rigorous discipline who, during their visit to Saragosse showed the fruits of this intense work, strict and efficiant, to which these young choristers submit themselves…
The repertoire is in no way childlike, but sung to perfection with seriousness. Young choristers committed and attentive to the orders of their conductor who can take pride in the ensemble he has managed to create. »